I talk about Song-Club


I was reading the new Rip It Up last night... does anybody else still read Rip It Up? They've really gone downhill over the last couple of years, but they're crawling back. The band profiles spat out NME's love seed, took a shower, and now have some semblance of dignity, and their reviewers are no longer the autistic 14 year-olds that Vice wouldn't have (they're now bipolar 18 year-olds, and Vice would be very lucky to have them). But the biggest improvement is in the editorial department; I don't know whether these guys have been around all along and were just unutilised, or were hired in an effort to clean the place up, but there's actually some quality writing there, despite one of the columns being called ‘Rantology'.

Anyway I was reading RIU last night, and one of the editorials contained an idea that I thought was pretty cool, and since no one reads RIU anymore, I thought I'd disseminate it. The Author Simon Pound (he used to host the quiz nights at Shadows - my ex has a strange obsession with him, she knows where he lives... maybe he still hosts the quiz night, I haven't been in a while) started ‘Song-Club' with a small group of friends. The first rule of Song-Club is: you don't talk about Song-Club. Every week you email everyone in your small club a song that's been turning you on that week; it could be anything. And if you like, you can make a mix CD for your group every week. It's a snapshot of how you and your friends are feeling that week, so don't be tempted to go obscure to show off; but if an obscure track really has been turning you on that week, then that'll hopefully introduce everyone to a great new sound - and that's the other thing that Song-Club is all about.

The second rule of Song-Club is that: you DO NOT talk about Song-Club. File sharing is still technically illegal. I've established myself in the minority by saying that I think that that's the way it should be (‘Why downloading is killing music: and it's not the reason everyone thinks - by Michael Atkins' usually causes people to vomit with boredom). But this gets around all of MY reservations. I think that (Warning: take a carbon pill) downloading strips music of the emotion and passion in it, because a lot of that emotion and passion comes from the things surrounding the music - like album covers, videos, and new music Tuesday at Slow Boat Records (yeah, I know that last one's already dead). Pop music can't exist simply for itself, or else it's an abstraction. But this way, we're encouraged to love the music all over again. The emotion comes from your mate, packaged with the song! ...And heaven knows, I don't get nearly enough emotion from my mates.

The third rule of Song-Club is: YOU DO NOT TALK ABOUT SONG-CLUB. Song-Club is an intimate thing, if too many people join your Song-Club cell, it can get unmanageable; if there are too many songs to listen too, you'll lose interest. So keep it on the down low. If anyone asks, just tell them you've become a born again Christian and that you're on the computer all the time because you're ordering a promise ring from eBay, that'll stop them asking questions. But it'll spread, even if you tell no one; by being part of it, you'll be helping it spread. While at the same time being part of its inspired randomness, imagine being sent ‘Love is a Stranger' by the Eurythmics, and ‘99 Problems' by Jay-Z, then putting them both on the same CD - I think there'd be a funny continuity to that.

In the 80s, MTV and the video revolution pretty much saved music from the downturn caused by home taping. Can Song-Club turn downloading from the poacher into the gamekeeper? Probably not, and that is if it is the poacher; I have been known to be wrong in the past. Besides, I can't say that the really anti-downloading people are stupidly heavy handed - we've all heard the urban legends about 12 year-olds going to jail - Song-Club being a completely moral anarchic grassroots thing would be a great middle finger to the RIAAs of the world.


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